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That night he tore Phonox apart and we forgave him for his absence in the city. Before the show he'd told me that, "the UK crowds always seem appreciative of me and my music. I like it here. There's a better atmosphere here than there is in Chicago," which made me feel pretty smug. Ghetto house (aka "booty-house") is a distinct genre that began in the early 90s when Chicago producers, inspired by Miami bass and their city's house scene, started making basic Percolator-esque house tracks with some often filthy and crude club chants added. DJ Deeon’s influence on dance music and club culture is monumental. Born October 6, 1967, Deeon Boyd began his career sending bass booming through the speakers of housing project parties in Chicago’s South Side and selling his DJ mixtapes in parking lots. Ghetto house or booty house[1][2][3][4][5] is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards.[1] It features minimal 808 and 909 drum machine-driven tracks[6] and sometimes sexually explicit lyrics.
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Joe Hall has been named president and CEO of Manhattan Neighborhood Network, an award-winning cultural organization. The non-profit is also the largest community media center in the country, overseeing two state-of-the-art facilities in Hudson Yards and East Harlem. In his new role, Hall is tasked with setting the vision of Manhattan Neighborhood Network and building out a development team that can market the organization, raise its profile and increase funding. As he continues to make a name for himself, the young designer says everything comes back to the brand’s namesake and where it was started. He remembers his friends and family encouraging him to chase his dreams elsewhere.
GoFundMe launched for uncredited DJ Deeon 'Freak Like Me' vocalist, Tish Bailey - DJ Mag
GoFundMe launched for uncredited DJ Deeon 'Freak Like Me' vocalist, Tish Bailey.
Posted: Wed, 13 Mar 2024 07:00:00 GMT [source]
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And so, you had these affluent African Americans moving into this area that was vacated by affluent whites. And when the area was conceived, it was this wonderland of resources. And by the time they inherit the area, they have to go further west to get comparable services because they're no longer available locally because the investment has kind of left,” he says. In 1932, a different kind of planned community appeared in the Baldwin Hills, off of West Vernon Place above Crenshaw Boulevard.
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Producers like DJ Deeon, DJ Funk, DJ Slugo, Traxmen, DJ Chip and Eric Martin churned out amazing releases on the prolific Dance Mania label, which was central in the rise of ghetto house. "As I got older, I got to respect that a good DJ works around the profanity. People don't wanna hear that all the time, and there are kids out here who listen to the radio. That style of music has its place, I would like for it to stay underground." This single comes in as part of a ‘Juke.com’ mixtape with fellow ghetto housers DJ Slugo and Doc Slump. Synth-led progressive melodies layered with punchy, clappy juke rhythms and Deeon’s instructive lyrics form a great underground banger. No DJ Deeon list would be complete without referencing this absolute club classic. The legacy this track left upon dancefloors should definitely be studied as some sort of higher education module; there are probably an infinite number of remixes of this ‘96 Chicago house beacon, let alone the songs using it as a sample.
Nearby is Richland Farms, which is home to a ranch and several horses. In fact in the 1950s Los Angeles was the biggest agricultural county in the US, and places like Richland Farms weren’t uncommon. According to local real estate agent Roland Harris, African Americans settled in the area because historically, they were not allowed to purchase homes in other affluent areas.
‘Ass In the Air’, from ‘Ass In The Air’ EP (Ghetto Test)
It was a disappointment because A) I was really hungry and B) I was going to call this piece Here's What Happened When I Had a Delicious Dinner with Dance Mania's DJ Deeon. Yes, America and the rest of the global economy may have come to a halt during this year, but thank God DJ Deeon was there to put a smile on broke dancer's faces! This vulgar anthem would’ve definitely sent your grandmother into cardiac arrest if you chose to have a money saving, at-home boogie, with its infectiously catchy bopping bassline and beautiful breakbeat inclusions. Another irresistible track that oscillates between electro techno and boom-clap Chicago house.
"I've been playing this track in my sets since the early 90s. It's the classic foundation and inspiration for underground music from Chicago's Southside. From the 12" he put out with "Computer Madness," at least four tunes off that were really rare. For our generation of producers, Steve is a leading legend in this shit. "Computer Madness" is also a motivation for me—it made me want to make tracks like that. The way he goes from the high to the lows in the bassline, catchy instrumentals, no vocals—he's just really good at what he does with that funky sound. Definitely a favorite amongst all the DJs in the city, period."
For Club Use Only: Best of 2019
DJ Deeon, legendary house music DJ and producer, has died at 56. I was chatting to Teki Latex about you coming to Paris for his Boiler Room the other week, and he was telling me how incredibly excited he was to have you play, how you're an inspiration to him…Oh, that's great. She's got no respect for my music…I'll let her know that I'm the man somewhere. I love London, and London people, but Parisians are cool as hell too. A genre’s Golden Age can be reduced to its geography — none more so than house music and Chicago. Let's hope this mini ghetto house revival keeps on going, but please stop confusing the name with other things.
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I’d heard of Crips and Bloods before, but even though I knew the stories, it’s different when you can actually put a place to all of the things you’ve heard. These gangs still exist, and James pointed out various gang members as we drove around during the day, identifiable by their colours. He told us of people he knew who had been killed simply for wearing the wrong colour.
Is it exciting to be picking up new fans two decades into a career? You still hear my songs on Chicago radio on Friday and Saturday nights even though house is kind of barred. Most of the guys playing house are older guys and don't support the ghetto, so they won't play Dance Mania stuff even though Dance Mania was essentially just a major label for house. When you wake up in the morning do you feel like an integral part of the history of house music? In the past 10, 15 years, pop radio in Chicago has come back to dance stuff. Weirdly it reminds me of when I first met Thomas from Daft Punk.
I used to distribute them via Ray Barney, and he'd sell them all over. With us Dance Mania guys it was a local thing that caught the wave. In the first few years, DJ Rush and myself would hang out, and he got his deal with Dance Mania and he blew up.
In 1994, Darnell Hunt and his wife, both young professors starting their academic careers at USC, were in search of a family home. “My wife and I, we wanted to be near or in a Black community. We didn't want to be distant from a Black community,” he recalls.
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